Variance: Speaking In The Mask

Once upon a time in voice pedagogy, singers were instructed to place their sound "in the mask." The term referred to the zygomatic and frontal bones ie. the cheekbones and forehead. Many singers, myself included, worked to place sound in the mask with varying levels of success. It turns out, sensation is very subjective, and "vocal placement" isn't a real thing.

That is an interesting factoid and one that keeps returning to my thoughts as we prepare to enter the world in actual masks. Physical masks are an interesting challenge for the articulation and intelligibility of speech. How much effort will it take to articulate a clear /th/ sound in a mask? Or, an /e/ sound? How good does the mask need to be in order to allow this articulation and remain effective? I'm not certain we know yet.

I believe the best we can do at this point is to balance the wearing of the mask (correctly, of course) with the best articulation and breath support we can muster. We may be best served by slowing down our rate of speech to allow for that articulation. Beyond that, we will need to extend to each other some grace when the sound fails to clear the mask.

How are you feeling about re-entry in the coming weeks? I'd love to know.